Recently I made some photos of kids who were practising for the Weet-Bix Tryathlon, which is a light-hearted triathlon for kids. The kids were using the actual course, and before they got started I went to look for shooting positions. Today we’ll look at what I chose for the cycling and running.
It pays to be realistic and there was virtually no hope of creating “arty” photos in the conditions that I found, although I’m always on the lookout for such opportunities. My primary goals were (1) to get some nice snaps for the kids and their families and (2) to show movement in those photos. Thankfully it was heavily overcast, which is much better than full sun.
Basically I wanted a corner with a plain background. When something in a photo has the potential to fall it adds life to a photo, and having the kids leaning into a corner would provide this even if they were too slow for motion blur.
Let’s start with a “bad” example. This girl’s family will probably like this photo, but it’s very static and it looks as if the bike is bolted to the ground:
Let’s look at a three good examples. The driveway in the background gives a sense of depth, as does the layering caused by the shrub on the right. These shots deliver a sense of movement:
This is a race of sorts, but the photos above don’t tell us this because they only show a single cyclist, and for all we the viewers know he could be out for a solo jaunt. See how having more than one cyclist in the frame makes the photo to tell a story that is closer to the reality of the situation:
The kids had to run a loop around a sports field, then go over a low footbridge before turning hard left to the finish. They had to turn as soon as they came off the bridge and I figured that this turn would produce some interesting body positions. Also, the bridge was a choke point so I knew that every kid would pass in front of my shooting position. The background wasn’t ideal, but was okay when blurred.
I sat on the grass between the bridge and the finish. Sitting was a lot more comfortable for a long spell, and an unusual viewpoint adds interest to a photo (adults aren’t used to looking up at kids so when the camera is below a child’s eye line you have an unusual viewpoint). This position also meant that the kids would be looking towards the camera when cornering. When heavy rain showers came through I impersonated a mushroom by putting an umbrella up for the duration.
First, the “bad” example:
Those two are running in a straight line and, although their families will probably like the shot, it’s nothing special. I do like the rain, which is hard to see at this size.
The contortions of cornering have a lot more visual interest:
A final tip
Don’t switch off your brain and your camera when the sports is over. The athletes gathered at the gear dump point after they’d done all the hard work and I saw an opportunity for rounding out the story with candid shots of relaxed kids. In anticipation (a very important skill in photojournalism) I swapped the telephoto I had been using for a standard lens and this was the result: